The Dada Project was my first attempt at making my work visible to the world. I started it in 2024, shortly after moving to New York, out of a growing frustration with job searching and with how restrictive and inaccessible the publishing world felt. At its core, Dada came from my impulse to put pen to paper, and just make something. I wanted to create a space where I could turn that impulse into something tangible and real.
Since then, The Dada Project has become an evolving outlet for my inspirations, ranging from more serious and critical writing to casual, blog-style pieces. It gives me a space to experiment with voice, form, and style, while also serving as an ongoing record of my creative process.
More than just the writing itself, I intentionally curate the images and/or other media that accompany each piece ,and think about the rhythm and flow of the text, so that each post becomes a complete experience for the reader. Every piece has its own mood, and that atmosphere is something I constantly experiment and build through the relationship between writing, image, and design.
I’m grateful for the possibilities of independent publishing and for the freedom it gives people to create outside of traditional structures. Dada exists because I wanted to make something of my own, on my own terms, and it continues to be a space where I can experiment, and figure out what kind of writer, editor, and creative I want to be.
The Dada Project was my first attempt at making my work visible to the world. I started it in 2024, shortly after moving to New York, out of a growing frustration with job searching and with how restrictive and inaccessible the publishing world felt. At its core, Dada came from my impulse to put pen to paper, and just make something. I wanted to create a space where I could turn that impulse into something tangible and real.
Since then, The Dada Project has become an evolving outlet for my inspirations, ranging from more serious and critical writing to casual, blog-style pieces. It gives me a space to experiment with voice, form, and style, while also serving as an ongoing record of my creative process.
More than just the writing itself, I intentionally curate the images and/or other media that accompany each piece ,and think about the rhythm and flow of the text, so that each post becomes a complete experience for the reader. Every piece has its own mood, and that atmosphere is something I constantly experiment and build through the relationship between writing, image, and design.
I’m grateful for the possibilities of independent publishing and for the freedom it gives people to create outside of traditional structures. Dada exists because I wanted to make something of my own, on my own terms, and it continues to be a space where I can experiment, and figure out what kind of writer, editor, and creative I want to be.
